Thursday, July 2, 2009

Wardolphin Presents Eline Charles!

2009 has turned out to be a very bitter sweet year so far. We lost Michael Jackson, which is heartbreaking and we have lost a few others both in our personal lives and in entertainment. The sweeter part of the year has been having the pleasure of meeting and working with artists all over the globe who have not only opened my eyes to their talents but inspired me to create as well. One such artist is Eline Charles. Not too often does a visual artist strike a new chord with me, being a visual artist myself my entire life and having some of the best visual artists in the world as close personal friends doesn't help. However, there is something special about her work. Whenever I see her pieces I almost can automatically feel the innocence, the sincerity, and the emotions that made the piece to begin with. After seeing her work online I asked her if it would be possible to provide me some cover art for the acoustic guitar series on Wardolphin.com for the month of June. Without any hesitation, they arrived in the mail. Her work is beautiful, charming, well thought out, and engaging. For the two covers she provided for me (Starry Eyes & Swing, Set, Smile), I felt exactly what the characters were doing and it made me feel as if I were actually in the piece itself. I encourage all the Wardolphin followers/friends to visit her website and her Myspace page. Take a look at what I'm certain will be a massive career from one of the most humble, grounded, and sincere people I have met in a long time. It's my honor to having had the pleasure to work with her and know her and her artwork (something she only recently exposed to me) and now I would like for you to do the same.

Wardolphin.com proudly presents the wonderful art world of Eline Charles!



















First, when and how did you start creating art?
I started when I was about 14 years old. Before that I was drawing already but more in learning way, trying to draw the things I saw around me. Around the age of 19 I started to draw the things I dreamed about, I started to put my thoughts into pictures and found it very releasing. I’ve always been very introvert and it was a way for me to express myself without having to be in any spotlight.

Knowing your brother personally, you seem to come from a very creative family, can you explain how that was nurtured and give us an idea of art in your household?
It was mostly my mother who was the creative one in the family. It was more craftwork that she liked, but it did influence me a lot. I think she got it from here father who was a painter.

Who are some of your favorite artists? (musicians, painters, illustrators etc)?
There are actually quit a lot of artists that have touch me.
Just to name a few:
Leo Lionni: he makes illustrations that I just love because of there simplicity.
Craig Frazier: I like him mostly for what he paints, its all very unreal
Amy sol: Her work is very dreamy I’m an absolute fan.
Banksy and Dran: because of the way they make a very strong statement with there work.
And last but not least: Jeroen Bosch, I can stare at his work for hours and still be amazed by what I see.

What type of music inspires you the most?
Music that comes from the heart really. I find music made with love and passion the most inspiring because it was made by people with real things to say and it’s full with honest emotions. I’m inspired mostly by emotions.

How much have your learned about yourself through your own work?
My work has made me see that I can’t seem to let go of things that have happened in the past. I want to hold on to everything, the good and the bad. But by putting it into an image it will always be there so I can move on. It has also shown me that I care to much about what other people think, so it’s a good way for some self reflection.

Give me a typical run through of your work habits from start to finish if possible.
Well most of the time it starts with me dreaming away on train, bus, work, anywhere and then I just get the idea for the picture. Then it stays in my mind for a few days until I find the time to go and work on my computer and make the drawing. I have a pen that allows me to draw on the computer like I would on a piece of paper and that gives me lots of freedom. Mostly late at night because that’s the time when I seem to be the most creative.

Do you have any formal training? If so, explain, if not, how did you realize your talent?
I was in Art school from age 15 to 18. I also studied art at College but in my experience that was the worst choice I ever made, so I left school last year.

Your art is some of the most human work I have ever seen, it almost instantly makes me feel great inside. I went to your website and went through your pieces and I think the best way for me to explain it is that "I understand completely". Each piece reminds me of a piece of my life at some point and it's very inspirational. Tell us what inspired these pieces?
Real day life inspires them really, everyday emotions that everybody experiences at one stage or another. Dreams are also a very good source to tap in to. When I was young I always wanted to make the swing go as high as the clouds so I could climb on them and see the city below, memory is like that work very inspiring.

Your brother and I have worked together (Isla/Lead MC from the band KOALA) and I'm very honored to have worked with you as well, are there any future plans for you two to work together?
I do think we will work together when the time is right, I would love to work with my brother, he has been the person I look up to the most. He learned me about music, different cultures, …

Does your immediate environment play a part on your work or do you grab your images from your past?
It’s when something happens to me during the day, that reminds me of something in the past, that’s when I see the picture in my head. Like when you smell something that you smelled when you where a child. Or when your on the train and the sun is just low enough to shine right in to you eyes and it reminds you of that day in the park when the same thing happened, that’s how I get my images.
So most of them come from my past, a sort of attempt to forget as well as trying to capture it forever.

If you had to chose one artist (painter), who and why?
Jean - Micheal Basquiat
He was living on the street and was just using everything as paper for his paintings, I find him (and off course his work) very inspirational.

What are your plans for the future?
I would love to make a sort of book with all my pictures, or maybe write a story for children and then illustrate it. And then hope that somebody someday will publish it.

Any final parting words for the Wardolphin audience?
Take your talent and share it with me! And others
Thank you for the interest in my work, it really means a lot.



















Eline Charles' Website
Eline Charles's Myspace Page

Tuesday, June 30, 2009

Dj Nomade - Free MJ Tribute Download
























Big up and many thanks to Dj Nomade for a DOPE MJ TRIBUTE MIX... for FREE DOWNLOAD. Enjoy!!! Check out his radio show on CHOQ.FM - Quebec, listed here in the blog for more of Dj Nomade doing his thing thing.

A quick story about Mj. I owe everything to Michael, my entire musical/artistic career rests solely on his shoulders and here's why. While my mother had turned me on to Marvin Gaye, James Brown, Earth, Wind, and Fire etc. Michael was the one who opened my eyes. His dancing, presence, voice just blew my little mind as a child. By the time I was 11, I was already in business. Travelling the Eastern Sea board doing show after show after show. I'd become a professional dancer, dancing like Michael, poplocking, breakdancing, what have you. This meant, I was being paid to peform everywhere, nightclubs, for the US Olympic Gymnastic squad, mall openings, colleges, high school assemblies, fairs, theaters, talent shows, TV shows you name it. What is amazing to me is that I had such a spirit, or even more so that it was dormant until I saw him. He gave me a confidence I didn't have before, and he showed me it was okay to fully express yourself and to never do it partially. This did mean I was mobbed constantly when in school or after a school assembly where I peformed. Even news papers and magazines got in on the act and all cause there was a cute kid who could dance his ass off. This peaked with a huge performance of Thriller, complete with 30 backing dancers in front of thousands in a local stadium. While Mj was who they played on the radio, Prince is who they played purely in the clubs. So that led me to Prince... which led me to instruments. That being said, I owe Michael Jackson for holding my hand and walking me down that path. Even for just a small period of time I had a small glimpse into what his life must be like. Thank you Michael. Although I don't know what we will do without you I'm happy you are in peace and can give us your musical genius for the whole universe to hear, we will never be the same because of you.

DJ Nomade - Michael Jackson Tribute (FREE DOWNLOAD!!!)
http://www.mediafire.com/?yoz5tzhjwml

Friday, June 26, 2009

Michael Jackson - Gone But Never Forgotten


Friday, June 19, 2009

Dolphin - "What Is Language?"(TheLastRomantikLP)

So, it is my belief that words have hurt us more than helped us. Words... used to gain things, to attain power, to instill fear. It is my belief that music is the highest form of communication throughout the universe. Many nights I meditate and pray to find the vibrational patterns of the "Ohm"... to dreamstate. I hate to return. To conversations about nothing, TV, horrible music, ill fated belief systems, and people hurting one another. I try to live my life closer to a plant than a human, as plants grow to be beautiful, without ever asking anyone for anything. Without ever bothering anyone and yet somehow the beautiful defenseless plant is respected, loved, adorned and more importantly needed for us to survive. How does a human with all his/her strength, tenacity, and power ever bow down to a defenseless plant? She doesn't speak, move, or say a word yet somehow her communication is more beautiful than any speech, any song, or any dialogue.

The Sun speaking to the Earth, the Moon to the Ocean, the animals to the land, and us to ourselves? You see, music is what created the universe. Sound. Hence the very first thing he/she/they said... "let there be light". Music is God's true Voice. Just like intuition and to be a musician who plays off inner intuition... well you get the point.

So when I speak to young children who want to sing or play..
the first thing I ask is... "What is Language?".

I created the Last Romantik album in 08'... as I'd come to the strange conclusion that I was becoming extinct, the last of my kind. I still haven't formed a solid conclusion on that, however...

In the spirit of free music, the free mind, and free art... here is the single from the Last Romantik LP, done in 08'. Enjoy the sunlight!

Dolphin - "What Is Language?" (The Last Romantik LP)
http://www.sendspace.com/file/0ay966

Friday, June 12, 2009

Dolphin - Swing Set Smile Ep (Acoustic Series)

Dolphin - Swing Set Smile Ep (Acoustic Series pt. II)
Broken Videotapes
Playboyz (Augmented)
Ur Hands Don't Work Anymore
The Nomad's Song of Home
Moving Cars
Waterbabies And Subway Children
I'll Be Waiting
Artwork by Eline Charles
Enjoy the Sunlight!

Monday, June 8, 2009

OA - "Quantum"


From the forthcoming EP of the same name, here is Ocean Aquanaut's "Quantum".
In the spirit of free music, the free mind, and free art please enjoy this free music courtesy of Wardolphin.com.
Ocean Aquanaut - "Quantum"

Thursday, June 4, 2009

Huge Thanks to DJ Nomade and CHOQ.FM/Canada!!

Many thanks to Dj Nomade of CHOQ.FM (Saturdays 10-11pm) of Quebec/Montreal Canada for adding Dolphin's "Gunnin", both from the MonoVsStereo compilation and of The Black Fantastik album, to his playlist. Wardolphin.com appreciates all underground support! Not only is he truly a decent cat, but a real lover of crate diggin, good music, and art. Much love to you brother! Peep the set list of the show, which is entirely in French and crazy hot. Peace again and support Nomade and his movement!

To learn more about Dj Nomade
here are links to his radio show
http://www.choq.fm/nomade.html

and his myspace page
http://www.msplinks.com/MDFodHRwOi8vYmxvZ3MubXlzcGFjZS5jb20vaW5kZXguY2ZtP2Z1c2VhY3Rpb249YmxvZy52aWV3JmZyaWVuZElkPTQwMzc0NDI2NiZibG9nSWQ9NDkyNDc1NjMw
Nomade, Safari sonore (sélection du 30 mai)
Au programme cette semaine, Nomade revient avec une sélection combinant les styles et les genres pour votre plaisir! Bon voyage!


Dj Nomade Playlist
01) Paula Lima - Quero ver voce no baile
02) Jobell and the orchestra salsa - Never gonna let you gonna
03) Henri Guedon – Carnaval Nou (Mozambique)
04) Super Smoky Soul – 005
05) Dolphin – gunnin
06) The Life force trio – Blue line, watts bound_the shad
07) yU – Fine
08) Exile – Love line
09) Kellee Patterson – Magic wand of love
10) Kankick – O.X Coming at ya
11) Teddy Rok Seven – spaces and echoes
12) La Note – Let me see
13) SeOUL avengeR – Mr jellys fantastic dream
14) Hercules and love affair – Hercules theme
15) Phillip Loyd – keep on moving
16) Koffi Gnato – Ifang Bondi
17) The Funkees – dancing time
18) Lekan Babalola - Oya (Le Pico Remix)19) Bobbi Humphrey – lonely town, lonely street

Tuesday, June 2, 2009

Dolphin - "Starry Eyes" Free Acoustic EP

Peace and love everyone.. .
so today I decided to give you a free Acoustic Guitar EP by yours truly. This will be the first givewaway for the acoustic series, the first being "Starry Eyes". The idea is to give "Starry Eyes" away for June and a follow up free acoustic in July which is already completed.

Hopefully this will help you throughout the summer for countless sunday morning coffee conversations, lazy saturday afternoons, smoke partaking, quiet time and romantic nights, etc.
Truthfully I haven't decided how many acoustic EPs I will giveaway, but if you like shoot me a line and let me know.

One of the main reasons why I did "Starry Eyes" is each song is pulled from a different Dolphin album, giving people an opportunity to experience sounds from albums still being mixed and mastered and prepared for consumption. All the acoustic sessions are done live, lead vox and guitar in one single take and this offers a beautiful vibration.

Another reason and the initial spark behind even considering doing a acoustic series is because I completely fell in love with the work of artist Eline Charles from Belgium. Her work is simple, yet real, although a non-moving piece, has wonderful emotions and she seems to have a way of tapping into innocence and being able to transfer it to her artwork without losing an ounce of sincerity. Please stop by her myspace page listed below and her newly constructed website. She makes fascinating work, simple, clean, and extremely heartfelt. Everytime I see one of her pieces, I feel good inside. She has a way of tapping into an emotion that I can't always find and I thank her so much for that. After going through her pieces almost immediately this EP came to mind. Stay tuned, as I plan on interviewing her for Wardolphin.com later this month as to learn about her influences, techniques, and inspirations. I am extremely
fortunate and grateful that designed the cover and would like to introduce all Wardolphin followers to the amazing art of Eline Charles.

Eline Charles, remember that name, but know her work right now!
That being said, in the spirit of free music, a free mind and free art... here is
"Starry Eyes" - an acoustic EP for free download.

Enjoy the sunlight!

Peace Dolphin

Eline Charles
www.myspace.com/simplefonky

her newly developed website
http://thoughts-and-drawings.webs.com/


Dolphin - "Starry Eyes" Free Acoustic EP Series
http://www.sendspace.com/file/684go1

As It Moves Gently Through The Night
Airports
Beautiful People
One Thing
Playboyz (Acoustic Version)
We Fear No One (Acoustic Version)
Black Stars, Blue Lights

Friday, May 22, 2009

HAPPY BORN DAY SUN RA!

Today is the birthday of one of the most influential musicians, pianists, composers, producers of our time... the incomparable SUN RA. I invite you all to become familiar with his music, his life, his legacy and his teachings. Also, feel free to scroll down and download OAvsSunRa : The Living Myth... apart of the Ocean Aquanaut Re-edit series found on this blog. Thank you Sunny for everything!!!! PEACE and HAPPY BORN DAY!!!

Thursday, May 21, 2009

Dolphin & The AM - "The Revenge Of Montezuma" Rehearsal Tape 20

Dolphin & The Airmath
Rehearsal Tape 20

December 2008
1. Ur Hands Don't Work Anymore
2. Sunrunner

total running time 8:48
http://www.sendspace.com/file/bgoeh7

Dolphin & The Airmath

Dolphin - Lead Guitar/Vocals
David - Bass
Frank Patinella - Keys
Nathan Ellhman-Bell - Drums/ Percussion
Tiffany - Saxophone

Wednesday, May 20, 2009

Dolphin & The AM - "The Revenge Of Montezuma" Rehearsal Tape 7

So I decided to start posting Dolphin & The Airmath Rehearsal tapes. One of the reasons I decided to do this is because so much happens at our rehearsals it's a shame that most of it won't be heard beyond the ears of four, sometimes five people. That is one reason why when we play we play normally well over a two hour set with one break. Often times we don't speak... we don't say anything to one another... we just stare at one another... and boom. Songs will come out. That being said, I decided to pull out something from the vault. It's from Dolphin & The Airmath - Rehearsal Tape 7. The Rehearsal tapes are known as "The Revenge of Montezuma Rehearsal Tapes" and I'll start posting them on a random/regular basis. Enjoy. This is our tribute to Santana, two original pieces and an additional original excerpt.
In the spirit of Free Music, the Free Mind, and most importantly Free Art... here it is...

Dolphin & The Airmath
"The Revenge of Montezuma" Rehearsal Tape 7
February 2008

1. SpaceGods Return For Air 6:14
http://www.sendspace.com/file/0nw7to
2. Montezuma's Revenge (excerpt) 1:25
3. SpaceGods Return To Space (Reunion In the Sky) 8:25
http://www.sendspace.com/file/0ysyv3


Dolphin & The Airmath

Dolphin - Lead Vocals/ Lead Guitar (Fender Stratocaster)
Frank Patinella - Keys (Fender Rhodes)
Jake Leckie - Bass (Fender Bass)
Nathan Ellhman-Bell - Drums
Dani - Percussion

Tuesday, May 19, 2009

Dolphin Interview Pt 1 & 2 w/ AvantUrb.com


Dolphin Is Known for a few things. One, he never gives interviews, two he hates taking pictures, and three if you get a voice interview out of him your either John The Baptist, The Prophet Mohammed, or Jim Hendrix himself. To say the least he's not big on PR (we are working around the clock to change this!). In his mind, the music is all you'll ever need, you'll never need to know where he's from, his beliefs, his age (as he doesn't believe in time), etc. That being said, I was extremely happy when Primus Luta and his website Avanturb.com convinced Dolphin to sit down and do a definitive interview. There are a few more interviews in the works but it's pretty rare to get him to agree to simple things like, an interview, meeting with record labels (even if they are the president of Motown/Universal or Warner Brothers... ?!), new photos, or even just a visit. That being said I love it when he opens up and allows us to know what compells a man to document his life so feverishly. Big up to Primus Luta, Ichiban Blossom, and all the hosts of other blogs and websites supporting Wardolphin.com! We are truly appreciative of your support!


Sub-Aquatic Depths: Dolphin Interview Part I
3 02 2009

"A musician can walk away from both (the studio and the stage) completely empowered and with a renewed sense of direction."
When the history books are written about this era, while there will be many artists recognized for their various awards and industry accolades, few if any will match the prolific artistry of Dolphin. With over 50 albums recorded and an arsenal of more in the works, perhaps the greatest testament to his talent is the level of artistry put into each song. As you listen you hear an artists investigation of self explored with integrity and a value for quality that matches the quantitative output. Free from the confines of industry, Dolphin creates like few have ever done. When the history books are written while the list of entertainers may be extensive, the list of true artists will be a select group, and amongst those you will find Dolphin.
In Part I of this interview learn more about the history of Dolphin, his influences and the process by which he creates.



Can you give a rundown of all the names you’ve got projects under with a little background on each?
Absolutely, first there is Dolphin. Currently to date there is about 7-8 years worth of material under Dolphin, roughly about 45 plus albums. Dolphin ranges from progressive soul to alternative rock to punk funk. It’s basically limitless in terms of what type of music.
Then there is Ocean Aquanaut which has about 8 albums total with 3 more on the way. Ocean Aquanaut is exclusively underground hip-hop, both instrumentals and with lyrics.
Then there is October Octopussy. There are two albums (soon to be three) under this name which range from new wave punk funk to straight rock with an edge.
The Magnetic Moves is another moniker, which is an all electro funk both instrumental and with vocals. Only one album to date.
Another name used is MCZUMA (hip-hop). These names if you will just merely allow me to create without boundaries and explore different areas. It also allows me to show up in places people least expect with minimal expectations other than the music itself.
House legend Ultra Nate’ and I spoke a lot about working together in ‘08 and me helping out her label, but since House music wasn’t necessarily my staple, it became exciting to know I could do whatever I wanted and just give a different name. That being said the music is always pure and everything is always thought out thoroughly.
It’s all me playing all the instruments, writing, producing and performing the songs anyway so I don’t care. When I was in High School, I would play with a funk ensemble, then play bass for a jazz orchestra, then hang out and play with a straight punk rock outfit and then play on weekends with a cover band. This allowed me so many different avenues to explore ’cause the entire time I was at home producing and making beats for my friends who rhymed. That being said, I don’t believe in boxing people in squares.

Considering you perform most if not all of the instruments on your recordings, what is your first instrument?
My first instrument in life was the guitar. It’s such a universal instrument that if you can unlock it’s coding it can guide you through other instruments.
In terms of recording, it differs each time. Sometimes I will create the drums first and just study them for hours and hours just letting them play until they speak to me and guide me in the next direction. Some albums are more guitar based with me writing the songs on acoustic guitar first, as to have a full understanding of the composition before creating the actual song. Other songs I write on piano cause everything is laid out in front of you. It differs.
For example “One Thing” (the only Dolphin song to ever be remixed so far), which was remixed by Primus Luta, I wrote that on Harmonica and acoustic guitar, performing it live in one take. However once the structure was done, I simply added all the backing vocals and that allowed a bigger take on what the song could be. Then I shipped it to Primus and he didn’t send it back until it was completed and of course I was pleasantly surprised at how he freaked it. However with Dolphin, Ocean, and OctoberOctopussy I always play all the instruments. That may change however ’cause I just asked my sax player Tiffany if she would join me on a new Dolphin song that is on a new EP.


Where do you pull song ideas from, and how do you decide which project is going to be the best channel for those ideas?
It comes through various sources. Some arrive in dream states, some are inspired from hearing great music live or otherwise, some are fully composed in my head long before I record them and won’t stop playing until I record them. It depends on my vibration at the time and what has my interest. I was explaining to a friend the other day that I was watching the French film Amelie, and was so inspired by one statement, one phrase that I ended up recording an entire album within a week ’cause it was that powerful.


Walk us through your songwriting process.
It differs every time but to give you an idea of say the current albums (The Ancient Astronaut and The Underground Garden), I started writing them on acoustic guitar first, then transposed them on the piano and bass. Each project has a different sound to me and I hone in on how I want the drums to sound to define the rest of the song. Soft, hard, midrange, downbeat, punk, afro beat… depends. This may mean playing the drums live myself or if I program them, scowering old records for snares, kicks, high hats etc. I’ll pair up 13-23 different snares to create one, 20 different kick drums to create one, etc. I never write any music down per se as I cannot read music, so it’s always playing mentally in my head. After I record the drums I’ll go back and play the guitar or piano, then add vocals (lead and backing). Then I’ll study it in terms of it’s mix and start adding violins, cellos, synths etc. Sometimes the songs come first in full form and the lyrics have to wait. However fortunately for me whenever I hear a sound, any sound, almost immediately lyrics come to me and songs are fully composed in my head.
Sometimes however it’s a completely different process. For example on piano I may write some songs and live with them on the Fender Rhodes long before they see daylight. So after laying the drums it may be all about laying down the piano, then the bass guitar. Some songs I prefer have very distinctive sounds so I’ll run acoustic pianos through guitar pedals or record the initial foundation on VHS tape and dump to back to my CPU to warm it up. Lately I have been getting into recording the drums, then channeling them out into my stairway at home by way of speakers, setting up mics on the steps to capture it’s ‘ghost’ bouncing off the walls and then mixing the two side by side. It depends on the song, what it means, where it came from and where it’s going.
Almost always with Dolphin, the recordings are analog with me mic’ing amps and using old techniques to record. However I have just started a series for Dolphin using all beats, much in the same way I do production for Ocean Aquanaut.


You recently took your live set The Airmath into the studio to record an album. Can you talk a little bit about how that was for you.
It was an excellent experience. We recorded at the Peabody Institute of Classical Music, a world renowned and respected school. The oldest school in the world for Classical music. Jake Leckie who was our bassist at the time (and always an Airmath member) was also one of the head engineers at the time. We went in for two nights, one for the electric versions of our set (drums, electric guitar, electric bass, and Fender Rhodes) the second night all acoustic (grand piano, upright bass, drums, and acoustic guitar). We only recorded live, no overdubs of any kind and then Jake mixed the sessions while on break in Boston. It was our first recording experience outside of rehearsals and really opened us up in terms of flexibility.
We recorded at least 5 takes per song, so after both nights not only did we have a new sense of bonding but it really asked us to stretch and push some limits.


Studio or the stage?
Both have their place. I was dormant in the home studio for so long that I was dying to get back on stage. Most people think my music career started under the name Dolphin but I have been writing, recording and performing for the majority of my life. Dolphin has only been a small part of that (2001 going forward).
The studio allows me the freedom to just create, try new things and really challenge myself personally as all the albums mentioned before are just me.
The stage has such another connotation to it. It speaks volumes to ones understanding of collaboration and ability to read the audience and draw from it.
A musician can walk away from both completely empowered and with a renewed sense of direction.


Who are some of your biggest influences in the studio? On the stage?
Most of the musicians who influenced me where powerhouses in both contexts. I follow the greats and study them intensely for as Quincy Jones put it, this allows you to “walk in the footsteps of giants and see what it feels like at 50,000 feet”. However, you have to be clear on where to draw the line and find your own lane.
I would say David Bowie, Prince, Miles Davis, The Velvet Underground, John Coltrane, Bad Brains, Bernie Worrell and Funkadelic, The Cure, The Beatles, SunRa, Joy Division, Van Halen, Run DMC, Double Trouble, A Tribe Called Quest to name just a few. The usual suspects along with countless unknown musicians and artists I have met along the way. For example, lately I have been listening to Double Trouble alot, a group that got little fanfare outside of the movie “Wild Style” during the early to mid eighties. What’s been getting me about them is almost all the material available is live which has been inspirational to note that just like funk bands in the 70’s and jazz bands before them, material was hammered out on stage first long before it was ever recorded. That being said, it’s some of the most authentic hiphop ever recorded. Busy Bee (from “Wild Style”) and I are neighbors and friends so whenever we link I try to pick his brain and get his energy cause even now when he performs it’s powerful and you just know it comes from nights and nights of doing his thing. It’s so different from today’s MC who record and record, but have virtually no experience on stage and it shows when the lights go down. Even Coltrane at his height, would sometimes practice for 16hours a day to keep his chops up and to be prepared for a last minute gig. Hendrix would fall asleep with the axe in his hand and wake up with his hands in a chord position. So finding that fine line and maintaining both is mandatory.


If you were born into any other era of music which do you think you’d be the most comfortable in as a musician?
There are two periods that always come to mind. The jazz explosion of the 40-50’s cause the musicians then were not concerned with fame, money, and all the trappings of success. One of the main reasons is ’cause their biggest names were making very little; their only concern was the art, the music. Pushing the boundaries. They would starve for their work, ignore day to day common necessities just to create and express themselves. Also, ’cause of the time period and the political climate of the day, jazz musicians weren’t allowed to freely express themselves, so they did so with their instruments. Something many songwriters, singers and performers can learn from.
Then there is the late 60’s early 70’s. Arguably one of the most important moments in history because of the need to express oneself politically and socially in order to challenge the power bases that controlled the masses. During this time you finally got a chance to hear what the people were thinking; from Nina Simone to James Brown to Hendrix, everyone questioned and challenged societies take on how we should be living. Also during this time you’ll find some of the most experimental music ever created as people completely utilized technology to their advantage with the sole intention of creating new sounds. I maintain that if you study both periods, you can see the direct lineage to any form of music being created today.

"It is your (artistic) responsibility to create in hopes that your work will spark the mind of those who will inherit the future."
When the history books are written about this era of musicians, while there will be many artists recognized for their various awards and accolades, perhaps none will prove as impressive as the prolific Dolphin. With over 50 albums recorded, and more in the works, the biggest testament to his talent is the level of artistry one finds within each song. He makes no fillers, rather each song takes you deep into depths of the artistic sea in which he swims. Free from the confines of industry, Dolphin creates like few have ever done. When the history books are written he’ll be there, and he’ll be writing a song.
In Part II of this interview learn more about his relationship with art, the projects in store for 2009 and the artistic peers he’s got his eye on.

If you had to choose one album to give a listener as an introduction to your music which would you choose?
I would probably choose my “The Opium Sky” album. I recorded it in 05 and it’s only about 45minutes in length. It took me less than two weeks to create and it may be one of the more accessible albums.
Normally I couldn’t answer that question but lately a friend of mine, an visual artist who’s work I respect greatly, has been staying on me about releasing it.

In your career as a musician you’ve seen the industry completely reshape itself to the point where it is now. Have your ambitions as an artist changed with that?
Yes and no. It has always been my ambition to work outside of the confines of the ‘music industry’. I never liked the sound of it as it always sounded too factory line, too industrial. We are not making canned soda or cars. There were always a few artists who challenge the system but the penalty for doing such just never panned out. It never made sense to me that we create the work only to have it governed and dictated by non-artists. That being said, my ambitions have changed slightly cause earlier in my career I always hoped that musicians, everyday musicians and bigger name musicians would bypass the normal routes and take it to the people. Now I am a full believer as that is a reality and there is simply no going back.

What are the projects you’ve got lined up for 2009?
09 has so much promise. So far I have 2 new Dolphin albums I just completed that will be released in hardcopy and digital versions. I’m working on another Dolphin album as we speak as well. The October Octopussy album will be mixed and mastered this year by the great Primus Luta. That will also be released in hardcopy and digital formats. I’m taking The Airmath over to a soundstage (The Orion) to properly record a two hour show that will be filmed and recorded and released as a live performance DVD/CD. We are trying to debut it in theaters in Baltimore for a special screening. There are three Ocean Aquanaut albums that are currently in production. One of which, Dr. Who - “Rise of the Timelords” is up for free at Wardolphin.
Beyond that I am recording with the AntiPop Consortium on their long awaited reunion album and have already started recording with them. They also have an Ocean Aquanaut song featured on their new mixtape scheduled for release in a few weeks. I am currently working with Koala on some new songs they have just written and I am also featured on their latest album “Central” released in late 08 under Ocean Aquanaut on a song entitled “Plague of the Mind”. High Priest of the APC and I have been throwing around ideas of a possible project so were trying our best to see that come to light as well. Then there is The EyeTeam featuring me and Tezmore, it’s a joint partnership project where I allow Tez to do most of the production and I add on along with me providing all the vocals and lyrics. It’s fun for me cause that’s something I almost never get a chance to do and Tezmore is a great friend who’s extremely talented. There is also a single produced by Earl Blaize from the AntiPop Consortium that I just recorded that will be avialable at Wardolphin in the next month as well.
There are a lot of artists that I worked with last year that I have follow up recordings with. The Rick Lucy album “Destroying Beauty” recorded last year comes out in 09 and there is a Dolphin appearance on lead guitar and vocals on the song “The Pulse” (you can find the free EP version on Amie Street). LaSonya Gunter’s sophomore album has a Dolphin appearance on there as well that features two versions of the song “Sweet Surrender” that features LaSonya, guitar work/solo by Dolphin. I also plan on doing a re-edit series of all 45’s called “Treats for the Working Man”. Volume one has been done, I’m currently working on Volume Two and Three. I’m also rerecording a Prince album note for note in honor of it’s anniversary.
All Dolphin, OA, OO materials can be found on Wardolphin.com or the usual sources Amazon, ITunes, etc btw.
I scored a film short called “The Rothstein Diamond” starring Roger Guenveur Smith (American Gangster, Do the Right Thing, Huey P Newton one man play on Broadway) and Byatta (VH1’s Ms. Rap Supreme) that is scheduled to go into full production this year.
I have just started the Wardolphin podcast series which will be up and running starting in February. A new podcast will be featured every month and will be free to those following the Wardolpin blogs.
I’m working with a few djs to throw “Dolphin” parties which will feature all Dolphin/Wardolphin.com music from the time you walk in the door until the time you leave.
Finally, the great Primus Luta and I have a huge surprise for folks that has already been recorded and mixed. That record is exciting for me as I have just the greatest respect for his insight and his work ethic. That should see light in 09 as well.

What are some projects from other artists you’re looking forward to in 2009?
Primus Luta. Every so often an artist comes along who’s work ethic I greatly admire and who’s sound I love as well. That to me is a very rare find cause often when artists are prolific, have range, and challenge themselves, the end result can be a disaster. Not the case with this dude. I almost never meet anyone who works as hard as I do and in his case his work ethic makes me realize I am sane. Haha. I have just been dying to hear the new sounds this cat has been up to and I’m fortunate to be apart of this process. It’s exciting.
All things Radiohead, by far my favorite band of the moment. “In Rainbows” is my Book of Life.
Stereolab, to me is one of, if not thee greatest band of the last 20 years has a new album in the works. They are sorely misunderstood and underrated.
Jake Leckie, a friend of mine, the original Airmath member and one of the most revered musicians I know. He always challenges me both musically and in turn spiritually. I’m always on the edge of my seat for anything he’s apart of. He’s a well trained musician who’s attended some of the best schools in music, Peabody, Hopkins, Baniff, and yet has the soul and spirit of a cat who plays by ear. Just amazing to hear this cat.
Lafayette Gilchrist and the new Volcanoes. Arguably the toast of France, but Baltimore based. I often kid that he’s the new SunRa… but then he’ll play and everyone will stop laughing. Trust me on this, Sunny is smiling down.
Ben Frock and the Sub-atomic Particles. One of the greatest jazz ensembles I have heard in recent years (along with Lafayette). We became friends through our musical circles intersecting and I became a huge fan of their work after Jake introduced me to them through a documentary he did on them while recording at the Peabody.
Soul Cannon. A local hip-hop live band out of Baltimore that includes some members of the Ben Frock group, in terms of live hip-hop this band houses some of the best musicians in Baltimore. Their live show is superb.
Finally another band called Quartet Offensive. Their drummer is also the drummer for Soul Cannon and for my band the Airmath, Nathan Ellhman Bell. I know when I hear a legendary musician and I convinced, with all certainty he is greatness. His playing sounds like three drummers at once and he is the only drummer that I have ever heard that can make a drum sound like it’s playing backwards. My keys player took me to one of their shows and I couldn’t believe the level of orchestration they had. All their music was written out and charted, they play with a bassist and lead guitarist but accompanied by a full horn section. Nate came by and played for me their new album… we sat on the floor in the dark and listened to pieces that run over 10mins on average. That album is mind-blowing.

In the year 2010 who would you like to be able to say you’ve had the pleasure to work with that you haven’t yet?
Probably just the musicians I have mentioned as I have so much respect for them. Also HR of Bad Brains as we were just recently introduced and have tentative plans to hang out. Should be quite the experience I understand. The only other musicians that stick out would be David Byrne (Talking Heads), we have intersecting lines through a mutual friend and that would be amazing. I’m not sure at all if that’s even a remote possibility but if I could, I definitely would.
McCoy Tyner (former pianist for Coltrane). My level of respect for him knows no boundaries and I often feel like he’s directly speaking to me.
Beyond that, I try to stay away from the greats I have grown up loving as I kinda subscribe to the belief system of never meeting your idols cause it will just destroy everything. That goes equally the same in the musical realm.

Why do you think this is the most important time for music?
I wouldn’t say just now, I think everyday is the most important time in music cause it always presents the opportunity to create something new that could change the world forever. We are alive and thus we always have that responsibility. I know many people believe that cause of the wars going on, the economy and after the last 8 years that now is the most significant time. I maintain that man has never in the history of the world learned it’s lesson so the need to push, the need to create, the need to challenge the status quo will always exist. Also to me, music is the true voice of God so therefore we will always need to hear it.

Any last words about the future of music and the artist?
Only that if you are an artist, of any kind, it is your responsibility to create in hopes that your work will spark the mind of those who will inherit the future.
Our generation is reckless and restless. Combine that with no sense of humility and it’s dangerous. It is solely up to us to help shape their minds, inspire their minds, and fill the gaps that have been left open by poor educational funding, lack of art related classes in public schools, and just general disenfranchisement. This responsibility is ours now more than ever because of the accessibility of technology but also because of the disconnect between generations. If we do not play our cards right, all can be and will be lost. Peace and a most grateful and humble thank you to Avanturb.

links to the original interviews as found on Avanturb.com

SubAquatic Depths Interview With Dolphin Pt. One

http://avanturb.com/news/?p=352#top3

SubAquatic Depths Interview With Dolphin Pt. Two

http://avanturb.com/news/?p=357

Rick Lucy - "Destroying Beauty" Thank U Miami!


First, I would like to thank the AE District Art Gallery in South Beach Miami (Max, Amy, Simone, Jordan, and all our new friends) for the love they showed us at our concert in Miami.

What an amazing time and we hope to see you all real soon. Much love and respect to Rick Lucy himself, Gary Gunn, Melini Yung Lao, Shayfer James for amazing performances. For more on RickLucy, go over to AimeSt.com and download the free EP including the Dolphin/RickLucy single "The Pulse" which I promise you is heat trapped in a MP3. Peace and love.
Dolphin

Rick Lucy - "Destroying Beauty" EP





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Monday, May 18, 2009

OCEAN AQUANAUT-MOSES GUNN MIXTAPE (MGM)

Moses Gunn

Ocean Aquanaut has accomplished much in the last two years. Originally, he'd had somewhere around 30 mixtapes floating in 2000. On the heels of that was a now classic release by Ge-ology featuring Ocean Aquanaut and Tony Bones entitled "Tetsuo's Revenge" SSR Label/ Brussels Belgium. During this time, it's when Dolphin decided to stop recording OA and take a 7 year hiatus. During this time many rumors surfaced about what he was working on, who he was working with and low and behold no one expected the outcome. Over 52 albums worth of music ranging from punk, to electrofunk, progressive soul, prog rock, to hiphop and Dub. While OA was still performing, popping up here and there... he wouldn't start recording OA material until 07. Since then he has recorded well over 13 plus projects under OA. Alot of work for any man, or group for that matter. The mere fact it's still all Dolphin, on beats and rhymes still baffles me to this day. I spent the weekend over at his recording studio where he graciously allowed me access to his vault, which I am still very very very thankful for. Trust me, that perk alone justifies working for this site...
and there are many perks. The legendary Moses Gunn Mixtape aka MGM... has been surfacing for well over a year popping up on College Radio, countless mixtapes, and on website blogs and posts everywhere. I asked D if it were okay to give this away as a thank you to all the friends/peers around the world who have been supporting Dolphin, OA,MCZuma, TheMagnetics, The EyeTeam and now OctoberOctopussy. His response? "Sure.. why not."

"In 07, after returning from Africa Dolphin decided to create a mixtape that would let all OA fans know of his return. While most of his peers were using multiple producers, well known names for guest appearances, Dolphin decided to continue the unthinkable. Yet another album entirely produced by him (using only the MPC2000XL) doing both the music and vocals. So far the OA discography is listed below. During this period I vividly remember him making this mixtape in what seemed like a week. Africa had given him great inspiration and I remember myself, and some friends asking him to please go to sleep.. it had been four days... no sleep. No food. No rest... just constant nonstop work. He'd made two mixtapes when the smoke cleared. One was Moses Gunn. The other was quietly put away never to be heard from again.

Based on the phenomenal actor, Dolphin had concluded that many people didn't know of his name and knew his face. That with his huge filmography, one of the greatest actors of our time had gone virtually unnoticed around the time of his death. With more range than most of his counterparts of that era Moses Gunn was a theater trained actor, who like countless others became famous during the Black exploitation era. Ironically, while a Shakespearian trained actor, it would be his small roles in films like "Shaft" and "Shaft's Big Score" and in Dolphin's favorite "Nothing But A Man" that Moses Gunn would be known for. Although he'd played Othello on Broadway to rave reviews, although he formed one of the first African American Theater Groups, and accomplished much in the acting community by 1970, those films would expose his name and his talents. "I'm like that... he and I have alot in common, alot... I was compelled to do this in honor of his career, his life and his legacy." While in Africa, he'd met with long time musical legend, founder of Solaar Records Dick Griffin who housed him and showed him the ropes. They discussed everything from the Dolphin's music career, mutual friends, the beginning of Solaar Records, how he discovered everyone from the Sylvers to Shalamar. They also discussed Dick's longtime friend and ally.... Moses Gunn.

With that being said, first a massive and gracious thank you to Dolphin for doing so... and in the spirit of Free Music, the Free Spirit, the Free Mind and most importantly Free Art... I present to you the legendary Moses Gunn Mixtape -Wardolphin Mixtape Series Vol. 3.

Ocean Aquanaut

Enter The Empire BeatTape Volume One
Enter The Empire BeatTape Volume Two
AirTraffic Controller Volume (Instrumental Concept Album Pt 1)
Ground Control Unit 7 (Instrumental Concept Album Pt 2)
Nautical Night Moves (Instrumental Concept Album Pt 3)
Aquafresh
Moses Gunn Mixtape (MGM)
97Heaven
Dr. Who - Rise of the Timelords
Dr. Who Pt. 2 - Timelords Revenge
Ultrafresh
Quantum
The 4th Dr. Who
Re-edit Series
Treats For the Working Man Volume One
Treats For the Working Man Volume Two
OAvsJimiHendrix - "The Purple Kiss"
OAvsCurtis Mayfield - "Winners"
OAvsSunRa - "The Living Myth"
OAvsMarvinGaye - "Here My Peers"
OAvsMilesDavis - "Live Electric"
OAvsJamesBrown - "Black Caesar - Love, Power, Black, Soul"
MathCrimes In Wartimes - OA Mixtape Vol One


Geology Featuring Ocean Aquanaut & Tony Bones 'Tetsuo's Revenge' (PhaxNPhixion LP/SSRLabel Brussels Belgium)
Koala Featuring Ocean Aquanaut "Plague Of the Mind" (Koala Records)


Ocean Aquanaut - Moses Gunn Mixtape (MGM)
http://www.sendspace.com/file/db3z6c

Tuesday, May 5, 2009

OAvsMarvinGaye - "Here My Peers" re-edit EP

What Can I Say About Marvin Gaye that hasn't already been said?
I thank my mother for many things...
for giving me life, for giving me wisdom and for turning me on to her two biggest musical crushes..
James Brown and Marvin Gaye.
I'll never forget how hurt she was when she got the news he'd been murdered... even tho' I was a shorty... and had no idea who he was... she sobbed all day. It rained all day in New York that day...
and my mother was heartbroken. I never knew a musician could mean so many things to so many people...
even while he/she are suffering in their own private pain. Marvin was more than a man, a musician, and a brand... he was above human.. heavenly. He showed me a man could sing from his heart... as pure as he needed.. and still be respected.. and still get the word out.. and still tell it like it is. I don't know what to say about Marvin that hasn't been said...all I know I could possibly think of is "thank you".

OAvsMarvinGaye - "Here My Peers" re-edit EP

Intro/ 'Dedicated To U'
'Distant Lover' acoustic excerpt
'The Free Spirit' feat Ocean Aquanaut
'Time' excerpt
'Get It' feat MC Zuma
Marvin the Fighter excerpt
'Anger' excerpt
'Anger' feat Ocean Aquanaut
'What Does It Profit A Man?' excerpt
'Get Money' featuring Ocean Aquanaut
'A Constant Battle' excerpt
'The 4th Doctor Who' featuring Ocean Aquanaut

all songs produced and performed by Ocean Aquanaut

OAvsMGaye - "Here My Peers" re-edit EP
http://www.sendspace.com/file/tbqz7i

Monday, April 27, 2009

OA Vs Sun RA 'The Living Myth' Re-edit EP


Peace and love...
So today I'm uploading Ocean Aquanaut vs Sun RA "The Living Myth". I often kid about Bruce Lee or Sun Ra being my father, and in some way I actually believe that.
Sunny is probably one of the most influential musicians of all times and equally one of the most misunderstood. However, I maintain that change, innovation, and challenge comes with such a heavy price. Whether performing amazing standard covers, or going so far out with his playing even his own band members didn't catch on to what he was doing for months at a time, speaking on the liberation of the struggles of people of color, or the liberation of the human being from his matrix, Sunny Ray covered everything at a time when some would lose their entire careers cause of making their political affiliations known publicly. He was blackness unforgiving. A direct charge to the human conscious and the architect for electronic sounds. So today in the spirit of artistic freedom, OA vs SunRA - "The Living Myth" re-edit EP.

Ocean Aquanaut vs Sun Ra "The Living Myth" Re-edit EP

The Arrival of Ra
I Have Many Names feat OA
Knowledge: Sun Ra Spoken Word
Cue The Lions feat OA
Astro Black Mythology
Introducing Sunny Ray:
Greetings Black Youth feat OA
Myths feat OA
The Living Myth
I Have Many Names pt 2 feat OA
Prayer of Morning and Night: Sun Ra Spoken Word
Mr. Ra, Mystery feat OA
Last Words Before Returning Home

http://www.sendspace.com/file/2amy9k

Tuesday, April 14, 2009

In 2005, PRPS Jeans of Tokyo Japan wanted a free promo to give away. At the time Dolphin was doing music for Akademiks and PRPS jeans were an affiliate. He decided to put together five songs as a freebie and basically give them away for free. Two years later when he started Wardolphin.com, it doubled as one of the first albums to be up for sale. This ep is in no way the way it was originally intended to be heard, each song comes from a different album and it served as way to get people turned on to Dolphin and his many albums floating the internet. Dolphin gave me the marching orders to give yet another album... away for free. Wow. That being said, in the spirit of free music, free art, and a free mind... here is Dolphin's "MonovsStereo" ep.
Mixed by Earl Blaize.

Dolphin - MonoVs.Stereo
http://www.sendspace.com/file/zqxdpn


Thursday, April 9, 2009


Is it safe to assume that the spirit of free music is more than a term around here? Other sites give away a free, rare, remix, bside, done by someone you don't know... at Wardolphin.com free albums upon albums are being poured into the masses. All we can ever suggest is a donation of any kind, paypaled to wardolphin@hotmail.com.
Dolphin does have some official releases coming this year that will be sold on the site in hardcopy format and digital format. We also have a interview coming with the man himself to break down his insight into recording, why so much free music, and all the other battles of good and evil. Today we present to you a mixtape, done by the great Dj Aquene - Dolphin - Angels In Outposts (Wardolphin Mixtape Vol. 2). Well over an hour of free Dolphin songs that come from his 36 plus catalogue of albums.

Dolphin - "Angels In Ouposts" (Wardolphin Mixtape Vol. 2) by Dj Aquene
http://www.sendspace.com/file/stbu3w



Also included is the song "Money In the Walls", from the film "The Rothstein Diamond" featuring Byata of VH1's "Miss Rap Supreme" and "Get On the Bus", "He Got Game", "X", "Huey P. Newton" (one man play), and "American Gangster" star Roger Guenveur Smith, Candace Scholz, Shannon Rae, and Lil B. Sure of MTV's "Rock the Cradle".

As the story goes, director Damond Gordon of Serpico Films contacted Dolphin to score his film after his sound editor quit the project. Without a matter of two weeks before film showcases and
festivals, he'd asked Dolphin if he could score the film. He scored it in a matter of days and in the process created the single for the film "Money In the Walls". The film short can be found at http://www.serpicofilms.com/ however the song is here for you to run with. Enjoy the water!

Dolphin - "Money In the Walls" from the film 'The Rothstein Diamond'
http://www.sendspace.com/file/wtkrg8

OCEAN AQUANAUT- UFO's




Peace and love... seems like Ocean Aquanaut is at it again. This time he completely flips a Maxwell record for the benefit of us. Enjoy this piece from the forthcoming album OA - The 4th Doctor... here is "UFO's". Get ready folks for an amazing summer. I heard all four OA albums last night.
plus two instrumental concept beat albums. The man says time doens't exist... and I'm starting to believe him.

OA-"UFO's" from Dr. Who Pt 2 - The 4th Doctor mp3
http://www.sendspace.com/file/cg9j4o

Wednesday, April 8, 2009

The Large Professor aka The Extra P

We are all about history lessons on music here at Wardolphin.com. Who remembers Breaking Atoms? I'll never forget with the Video Jukebox, affectionately called "The Box.. Music Television you control!" I remember "Now Watch Roger Do His Thing" came on. I remember the illness of this cat going to school, getting a job, a crib, a woman, a car... all in this one low budget video backed by a dope beat and a dope storyline. I remember immediately calling up my friends and saying 'yo, Main who?'. Anyone who knows anything about hiphop knows about the legendary Large Professor aka The Extra P aka The Large Pro. That original Main Source ensemble would last only one album making it not only a instant classic but a game changer. For the first time cats could be positive about their topics and still keep a respected edge to their angle. In addition to the new take on Mcing, the beats were instantly classic. Since then we have heard all kinds of rumors about the amazing beat production by the Extra P. Rumors that it was he who actually created the "T.R.O.Y." beats, rumors that it was he who actually produced most of the beats for Eric B and Rakim's debut album, rumors that it was he who had a hand in quite a few Tribe Beats. His appearances would be rare, but when he did show up it was always a classic guest spot whether on the mic or on the SP1200, his staple machine. Today, I feature a interview with the Large Po, recorded a few years back where he speaks to Dj Lo Key and goes into detail about his influences, his catalogue, and the infamous Paul C, the legendary producer said to have been years ahead of his time, the elder statesman who wasn't older at all actually, who influenced and guided everyone on the SP1200's potential from the Large Pro, to QTip, to Marley Marl, to KRSOne. Enjoy and then search out this man's work!
The Large Professor aka The Extra P Interviewed by Dj Lo Key
http://www.sendspace.com/file/kf2cqt